Let's talk music and play ( 3 Contest )

An unspoken rule of remake culture seems to shift the weight of fame in casting with the original soundtrack. When Top Gun was released in 1986, director Tony Scott hired Harold Faltermeyer and Giorgio Moroder, who had created the audiovisual sets for Midnight Express (1978), Flashdance (1983) and Scarface (1983). I trusted you. Moroder wrote a ballad as the film's theme song and chose an unknown synth-pop band from Berlin to perform it. The success of "Take My Breath" was one of the most resounding one-hit wonders in pop history. Neither the song nor the band could escape the shadow of Top Gun.

Now, in the never-ending saga of movie remakes, the Tom Cruise incident is back and the centerpiece is Lady Gaga's "Hold My Hand." This is. Remakes provide easy access to a whole slice of mainstream culture.

The next Batman could be worn by Balenciaga. The interior of Disney 2.0 could be entrusted to Damien Hirst, and the musical approach of the new Top Gun Maverick, which hits national theaters on the 25th, could be left as before to a substitute, Madonna. But the cultural exhaustion of the prequel and sequel industry also extends to music.

Gaga's pitch, with all her firepower, could not be overshadowed by Terry Nunn's voice from folk memory with the catchphrase Another chance.